New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app. KEYBOARD SHORTCUTS (NEW) PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience. Baixar Pluraleyes 3 Crack DOWNLOAD. Red Giant PluralEyes analyzes the audio from your cameras and audio devices and syncs them up, in seconds. No clapboards or timecode are needed. Pluraleyes 3.2 Keygen and Crack Pluraleyes 3.2 Serial Number. 12.0.110.1206, Rhinogold, Antamedia Hotspot, Face Crop Jet, Ispring Suite 8.9, Filegee, Payroll Income Documents Generator, Living Cookbook. 3/3/2019 0 Comments PluralEyes 4.1 Crack + Serial Keygen Full Version Free Download Mac & Windows 2018 PluralEyes 4.1 is the fastest video and multicamera synchronization tool.
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Red Giant PluralEyes v.3.2.0 Win-MacOSX | 56.5 MB + 138 MB
Audio/Video sync in seconds.Videographers and filmmakers win by telling a good story. Now you can win at the workflow behind that story too. By synchronizing audio and multi-camera video automatically, PluralEyes 3 revolutionizes post-production and speeds your sync in seconds rather than days. The new PluralEyes for Mac is a standalone application with a new timeline, visual feedback, and �test & tweak� features for quality control. PluralEyes 3 is up to 20x faster than PluralEyes 2, and can easily prepare an audio/video sync for any NLE. For a faster, less tedious and more accurate workflow, use PluralEyes 3 to put the focus back onto creative storytelling.
What's New
Turn post from tedious to lightning-fast. PluralEyes 3 is up to 20x quicker than PluralEyes 2, and hundreds of times faster than synchronizing the old-fashioned way. Learn to love visual storytelling again.
Enjoy production more as you do less. A brand new timeline with visual feedback gives you confidence as you watch the sync happen. Identify problems before they happen, and get some geek excitement by watching the sync occur in real time.
Bring quality control to the edit. New �test & tweak� tools such as Two-Up View and Synchronize Pair of Clips save time by adjusting the sync on-the-fly, offering you a full quality control step before the creative editing.
Get the sync in one place. We integrated DualEyes features to create a standalone PluralEyes 3 application. Now you can sync footage before going into an editing platform.
FREE UPDATE! PluraEyes 3.1 now imports and exports sequences directly to Avid Media Composer on Mac, along with Final Cut Pro and Premiere Pro.
FREE UPDATE! PluraEyes 3.1 supports more professional workflows, adding native MXF support for Media Composer and Premiere Pro.
Host Applications
Premiere Pro CS5, CS5.5, CS6, CC
Final Cut Pro 6, 7
Final Cut Pro X
Avid Media Composer 5.5, 6, 6.5, 7
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Pluraleyes 4
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SIMPLER. FASTER. SMARTER. BETTER. (NEW)
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
INSTANT FEEDBACK (NEW)
Watch as your footage is being Synced. Color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE's timeline.
PREMIERE PRO PANEL
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
SMART START (NEW)
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
AUTOMATIC DRIFT CORRECTION (NEW)
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
MUSIC VIDEO WORKFLOW (NEW)
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
CLIP SPANNING (NEW)
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
VERTICAL WAVEFORM SCALING (NEW)
PluralEyes 4.0 adds the ability to scale audio waveforms vertically so that you can see more detail in the waveform when inspecting your media.
TRACK COMPARISONS (NEW)
Select which audio waveform is shown next to the video track, making it easier to verify that the clips have synced properly.
OFFLOAD INTEGRATION (NEW)
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
KEYBOARD SHORTCUTS (NEW)
PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.
COLOR CODING (NEW)
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.
INSTANT FEEDBACK (NEW)
Watch as your footage is being Synced. Color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE's timeline.
PREMIERE PRO PANEL
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.
SMART START (NEW)
We’ve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.
AUTOMATIC DRIFT CORRECTION (NEW)
On long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.
MUSIC VIDEO WORKFLOW (NEW)
The latest version of PluralEyes includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations. During the sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
CLIP SPANNING (NEW)
In order to overcome file size limits, some cameras can give a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
VERTICAL WAVEFORM SCALING (NEW)
PluralEyes 4.0 adds the ability to scale audio waveforms vertically so that you can see more detail in the waveform when inspecting your media.
TRACK COMPARISONS (NEW)
Select which audio waveform is shown next to the video track, making it easier to verify that the clips have synced properly.
OFFLOAD INTEGRATION (NEW)
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.
KEYBOARD SHORTCUTS (NEW)
PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.
COLOR CODING (NEW)
Export from PluralEyes to Premiere Pro now features a color coding option for clips that don’t sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.